Spanish Cinema in the Global Context
Film on Film
214 pages · Released Sep 11, 2013 · Routledge
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A note for parents
This is an academic textbook analyzing Spanish cinema through a film studies lens, not a narrative book for children or general readers. It examines self-reflexive filmmaking techniques and how Spanish cinema reflects national identity within global contexts. The content is scholarly and theoretical, appropriate only for college students, film scholars, or advanced high school students studying media theory.
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From the publisher
Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function... Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function that serves to map the place of a film (geographic and cultural) within the global cinemascape, and thus to bring into sharper relief images of the national. Focusing on films in the contemporary Spanish context that in some way reflect back on themselves and the processes of their own production, that purposefully blur the distinction between reality and fiction, or that draw attention to the various modes of cinematic exhibition and reception, Amago proposes ways in which these movies can be employed to understand Spanish national cinemas today as imbedded within a dynamic global system.
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ISBN 9781135010737 · Routledge