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Cover of Spanish Cinema in the Global Context

Spanish Cinema in the Global Context

Film on Film

Samuel Amago

Ready to read
Pages
214 pages
Published
2013

Content report card

What's inside

Low confidence

Violence

Fighting, weapons, death

Language

Swearing, crude humor

Sexual content

Romance intensity, nudity

LGBTQ+ themes

Presence of characters or themes

Scary or mature

Horror, trauma, heavy themes

Substance use

Alcohol, drugs, smoking

What it offers

Positive messages

Kindness, courage, honesty, resilience

Positive role models

Characters who model good judgment and growth

Educational value

History, science, culture, how the world works

A note for parents

This is an academic text about film theory and Spanish cinema, not a children's or young adult book. It is a scholarly work intended for college students, film studies professionals, and academic audiences. Content ratings are not applicable as this is non-fiction literary criticism, not narrative fiction with potentially concerning content.

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From the publisher

Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function... Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function that serves to map the place of a film (geographic and cultural) within the global cinemascape, and thus to bring into sharper relief images of the national. Focusing on films in the contemporary Spanish context that in some way reflect back on themselves and the processes of their own production, that purposefully blur the distinction between reality and fiction, or that draw attention to the various modes of cinematic exhibition and reception, Amago proposes ways in which these movies can be employed to understand Spanish national cinemas today as imbedded within a dynamic global system.

Shelved under

  • Art

ISBN 9781135010737 · Routledge