Beyond a Joke
Parody in English Film and Television Comedy
Neil Archer
- Pages
- 258 pages
- Published
- 2016
Content report card
What's inside
Violence
Fighting, weapons, death
Language
Swearing, crude humor
Sexual content
Romance intensity, nudity
LGBTQ+ themes
Presence of characters or themes
Scary or mature
Horror, trauma, heavy themes
Substance use
Alcohol, drugs, smoking
What it offers
Positive messages
Kindness, courage, honesty, resilience
Positive role models
Characters who model good judgment and growth
Educational value
History, science, culture, how the world works
A note for parents
This is an academic scholarly work analyzing parody in British film and television, not a children's book or young adult novel. It is a university-level film criticism and media studies text intended for adult readers, scholars, and film students. Content ratings are not applicable as this is critical analysis rather than narrative fiction or media that would typically be evaluated for child-appropriateness.
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From the publisher
At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the 'Queen' hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it... At the opening ceremony for the London 2012 Olympics, a global audience of nearly one billion viewers were treated to the unprecedented sight of James Bond meeting Queen Elizabeth II. Shortly after, the 'Queen' hurled herself out of a helicopter, her Union Jack parachute guiding her down to the Olympic Stadium. What it is about moments such as these that define both a particular idea of Britishness and a particular type of British film comedy? How has British cinema exploited parody as a means of negotiating its sense of identity? How does this function within a globalized marketplace and in the face of dominant Hollywood cinema? Beyond a Joke explores the myriad ways British film culture has used forms of parody, from the 1960s to the present day. It provides a contextual and textual analysis of a range of works that, while popular, have only rarely been the subject of serious academic attention – from Morecambe and Wise to Shaun of the Dead to the London 2012 Olympics' opening ceremony. Combining the methodologies both of film history and film theory, Beyond a Joke locates parody within specific industrial and cultural moments, while also looking in detail at the aesthetics of parody as a mode. Ultimately, such works are shown to be a form of culturally specific film or televisual product for exporting to the global market, in which 'Britishness', shaped in self-mocking and ironic terms, becomes the selling point. Written in an accessible style and illustrated throughout with a diverse range of examples, Beyond a Joke is the first book to explore parody within a specifically British context and makes an invaluable contribution to the scholarship on both British and global film culture.
Shelved under
- Performing Arts
ISBN 9781786730909 · Bloomsbury Publishing